Does the soldier use the weapon or does the weapon define what it is to be a soldier?

Quick (sometimes three-second) mono-prints and drawings from staged training scenes that depict sniper activity

An ongoing series of gestural drawings and prints has provided a starting point, reflective thread and conclusion to the project, The Incredible Disappearing Soldier and Other Adventures in Military Recruitment. Figurative mark-making has been instrumental in the formulation of ideas concerning the relationship between the body, subjectivity and weapons of violence.

‘I am nowhere without the non-human’ Judith Butler

What if the “who” were the technical and the “what” the human?” Bernard Stiegler